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Members and Works - Author

 

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Zagreb, 20/12/1937
Address: Tomislavov trg 18, 10000 Zagreb
Phone: Tel/fax: +385 (0)1 4922258
E-mail: zeljko.brkanovic@zg.t-com.hr

Education


  • graduated in piano in the class of Svetislav Stančić from the Academy of Music in Zagreb in 1963
  • graduated in composition in the class of Toma Prošev from the Faculty of Music Arts in Skopje in 1979
  • he continued with further studies in conducting under Hermann Scherchen and Bruno Rigacci at the Chigiana Academy in Siena (1965)
  • he continued with further studies in composition in Stuttgart, where he worked as a DAAD scholar under Erhard Karkoschka (1987-88)
  • Employment


  • conductor in the opera houses of Zagreb (1963-1969)
  • The Opera of the Croatian National Theatre in Split: conductor (1964-1966)
  • Music Program of the Croatian Radio and Television: music editor (from 1969 - 83)
  • the Academy of Music in Titograd (today Podgorica): in 1980 he started to teach composition and theory subjects
  • Academy of Music in Zagreb: chorus master from 1966; lecturer in theoretical subjects from 1983; lecturer in composition subjects from 1987
  • Membership in Artistic and Scholarly Organizations or Institutions


  • The Croatian Composers' Society (president from 2004)
  • Awards and Merits


  • 1957 - First Prize in the Secondary Music Schools' Competition in Ljubljana (piano)
  • 1982 - Vjesnik's Josip Štolcer Slavenski Prize (Concert for piano and orchestra)
  • 1999 -
  • 1999 -
  • 2003 -
  • About the Author

    Željko Brkanović is certainly an interesting figure in the Croatian contemporary music. Melody as a distant or direct association of the folklore is a basis of his musical approach which absent - mindedly checks the development of composition's harmonic context. But it is exactly in this "stopped time" of tonality which, if one wanted to bring it closer to the well - known sources, can be compared to the works of Prokofiev, a part of opus of Stravinsky or Hindemith, that Željko Brkanović discovers the talent of original musicality, the ability to create work with a more prominent position in some fictitious anthology of music than a series of compositions written by the so - called masters of the Croatian classical music. Arguments for the claim can be found in the first place in the unity of Brkanović9s form, idiosyncracy of the selected material and above all the interesting confrontation of the melodic archetype and its vertical sequence - the distinctive harmony with tonality which is sufficiently extended to please even the most contemporary musical expression. (Branko Magdić, Večernji list, 1982)

    In 1991 the renowned composer Erhard Karkoschka commented on the music written by Željko Brkanović: "I have already encountered and learnd to appreciate his music at the concerts of the Zagreb Biennale. It is bassed on the skilled mastery of the traditional composing technique. What I noticed in particular is a differentiated use of instruments, which makes his orchestral works very interesting due to sudden shifts. In the same manner the formal structure and logically controlled lines always make a convincing impression."