HDS

Nagrade: Odličje Reda Danice hrvatske s likom Marka Marulića (2002.); Vincent H. Duckles Award američkog Music Library Association za najbolju referentnu knjigu godine na području glazbe, za knjigu Speaking of Music: Music Conferences, 1835–1966 (ur. zajedno s Barryjem S. Brookom i Jamesom R. Cowderyjem) (2006.); Nagrada Josip Andreis Hrvatskog muzikološkog društva za knjigu Hrvatska glazbena historiografija u 19. stoljeću (zajedno sa Sanjom Majer– Bobetko i Goranom Doliner, 2009.).

RADOVI. Knjige: Katalog muzikalija u Historijskom arhivu i Muzeju grada Dubrovnika, Zagreb 1988.; Glazba osjenjena politikom: Studije o hrvatskoj glazbi između

17. i 19. stoljeća, Zagreb 2002.; Hrvatska glazbena historiografija u 19. stoljeću (zajedno s Sanjom Majer–Bobetko i Goranom Doliner) — Studije i članci (izbor): Ivan Zajc u ogledalu svoje korespondencije, Arti musices 10/1, 1979.; Семејството Жефаровиĸ и неговата културна дејност во Виена, Гласник, Институт за национална историја 24/3, 1980.; Odraz društveno–političke situacije u Bosni i Hercegovini na hrvatsku glazbu šezdesetih i sedamdesetih godina 19. stoljeća, Zvuk 4, 1980.; Đuro Arnold (1781. –1848.) u krugu svojih slavonsko–vojvođanskih suvremenika, Arti musices 12/1–2, 1981.; Тереза Марија и Дениел фон Жефарович: Композитори од македонско потекло на крајот од класиката, Македонска музика 3, 1981.; Djelatnost Ivana Zajca u okvirima Hrvatskog zemaljskog glazbenog zavoda, Zbornik radova o Ivanu Zajcu, Zagreb 1982.; Haydniana u glazbenim zbirkama sjeverne Hrvatske, Arti musices 13/2, 1982.; Niektoré rané prepisy Haydnových skladbieb v hudobných zbierkach Zahrebu, Joseph Haydn a hudba jeho doby, Bratislava, 1982.; The Economic Position of Zagreb Musicians in the Sixties and Seventies of the Nineteenth Century, International Review of the Aesthetics and Sociology of Music 15/2, 1984.; Popis skladbi Franje Ksavera Kuhača, Tragom glazbene baštine: Franjo Ksaver Kuhač (1834–1911), Zagreb, 1984.; Einige musikalische Ereignisse in Zagreb des sechziger und siebziger Jahre des 19. Jahrhunderts in ihrer Abhändigkeit von den politischen Verhaltnissen,

International Review of the Aesthetics and Sociology of Music 18/1, 1987.; Glazbena kultura Zadra u prvoj polovici 19. stoljeća, Zadarska revija 35/4–5, 1987.; Restauracija orgulja G. B. Piaggija iz godine 1740. u župnoj crkvi u Završju, Godišnjak zaštite spomenika kulture Hrvatske 13, 1987.; Prilog biografiji Nikole Strmića, Rad JAZU 409, 1988.; Bilješke o glazbenicima na zagrebačkom Griču u 18. stoljeću, Glazbeni barok u Hrvatskoj, Osor, 1989.; Elementi za životopis Josipa Mihovila Stratica, Radovi Zavoda JAZU u Zadru 32, 1990.; The Nineteenth–Century Croatian Rousing Songs: From Composers’ Desks to the Oral Tradition and Back, Musikethnologische Sammelbände 12, Tutzing 1991.; Friedrich Wieck’s Musikalische Bauernspruche: Some New Aphorisms,Studia musicologica Academiae Scientiarum Hungaricae 30/1–4, 1991.; Music in Zagreb between Croatian, Hungarian and Austrian Politics (1860– 1883), History of European Ideas 16/4–6, 1993.; Horns in a Bag, or Disparity of Parallel Musical Histories Among South Slavs, The Consortium on Revolutionary Europe, 1750.–1850: Proceedings, 1992, Tallahassee 1993.; The Origins of Modern Croatian Music, 1770–1830, Journal of the Croatian Studies 34–35, 1993–94.; Franz von Suppé und Dalmatien, Studien zur Musikwissenschaft 43, 1994.; Political Implications of the Croatian Opera in the Nineteenth–Century, Music Cultures in Contact: Convergences and Collisions, Basel 1994.; Due musicisti nella Pannonia del primo Ottocento: Đuro Arnold e Petrus Jakob Haibel, Danubio: Una civilta musicale. IV: Croazia, Serbia, Bulgaria, Romania, Monfalcone 1994.; Salonsko Kolo: Dance of Nineteenth–Century Croatian Ballrooms, Dance research: The journal of the Society of Dance Research 12/2, 1994.; Music Autographs in the Nikola Udina Algarotti Collection in Zagreb (ca. 1740–ca. 1838), Current Musicology 58, 1995.; Anonymus vs. Onymous, or When will Croatian Musicology Remember an Unknown Composer, The International Journal of Musicology 6, 1997.; Shadow of Politics on the North Croatian Music of the Nineteenth Century, Music, Politics, and War: Views from Croatia, Zagreb 1998.; Leopold Alexander Zellner and the Reports on Croatian Music in his Blätter für Theater, Musik und Bildende Kunst (1855–1873), Zagreb and Croatian Lands as a Bridge Between Central European and Mediterranean Musical Cultures, Zagreb 1998.; The Harp, the Scimitar and Perseus: Iconographic Confusion as Evidence for the Early Terminology of the Harp, Medieval Music in Slovenia and its European Connections, Ljubljana 1998.; A Bibliography of Writings on Music and Music Research in Croatia Published in Languages Other Than Croatian, The World of Music 40, 1998.; The Understanding and Misunderstanding the Terminology and Iconography of Instruments in Fendulus’s Abridgment of Introductorium maius in astronomiam, Music in Art 23/1–2, 1998.; What Could Giorgio Schiavone’s Madonnas Tell Us About Instruments Played in 15th–Century Dalmatia?, Music, Folklore, and Culture: Essays in Honour of Jerko Bezić, Zagreb 1999.; Variations on the Theme of the Planets’Children, or, Medieval Musical Life According to the Housebook’s Astrological Imagery, Art and Music in the Early Modern Period, Aldershot 2003.; What Marsyas May Have Meant to the Cinquecento Venetians, or Andrea Schiavone’s Symbolism of Musical Instruments, Music in Art 26/1–2, 2001.; Ivan Padovec: Catalogo delle opere, GuitArt 7/27, 2002.; Zašto je Ivan (Iwan) Hermann Fröbe napustio Zagreb? Glazba i baština: Svečani zbornik za Lovra Županovića, Šibenik 2002.; An Inventory of Croatian Music Periodicals, Fontes artis musicae 49/1–2, 2002.; jedinice o glazbi u Bosni i Hercegovini, Hrvatskoj, Makedoniji, Srbiji i Crnoj Gori te Sloveniji, The Harvard Dictionary of Music, Cambridge, Mass., 2003.; György (Đuro) Arnold (1781–1848), the Musician with Two Homelands,

zbornik za Nikšu Gliga, Zagreb, 2012.; Representations of Dance on Late–Medieval Bosnian Gravestones, Music & Ritual: Bridging Material & Living Cultures, Berlin 2013; oko 80 jedinica u enciklopediji Die Musik in Geschichte und Gegenwart, Kassel, 1996.–2005. — Članci, recenzije, prikazi. — Urednički rad: Music in Art: International Journal for Music Iconography (od 1998.);Glazba, riječi i slike: Svečani zbornik za Koraljku Kos, Zagreb 1999 (zajedno s Vjerom Katalinić); Music in the 1990s in the Context of Social and Political Change in the Countries of the Former Yugoslavia, in Muzika, Sarajevo 2001; Speaking of Music: Music conferences, 1835–1966, New York 2004 (zajedno s Barry S. Brookom i James R. Cowderyjem); Liber amicorum: Festschriften for Music Scholars and Nonmusicians, 1840–1966, New York 2009 (zajedno s James R. Cowderyjem); Music’s Intellectual History, New York 2009 (zajedno s Barbarom Dobbs Mackenzie).